Share
A woman stands, facing the camera. She rests her hands on a chair to her left. She wears a full-length dress with buttons and a white neckerchief.

Unveiling Heroes: Ekua Walcott

Ekua Walcott

A woman stands, facing the camera. She rests her hands on a chair to her left. She wears a full-length dress with buttons and a white neckerchief.
Portrait of Harriet Tubman, 1870s. Image by Harvey Lindsley. Courtesy of the Library of Congress.

Portrait of Harriet Tubman, 1870s. Image by Harvey Lindsley. Courtesy of the Library of Congress.

Two men stand behind a seated woman; all are smiling and facing the camera.
Andria “Ekua” Walcott at the Harriet Tubman Kwanzaa Celebration, December 27, 2015. Image by Tom Sandler.

Andria “Ekua” Walcott at the Harriet Tubman Kwanzaa Celebration, December 27, 2015. Image by Tom Sandler.

A woman sits in a red scooter decorated with numerous peace symbols. To her left, many people walk along a city sidewalk, along holding peace signs.
Peace March along Warden Avenue. June 2015. Image by William Meijer.

Peace March along Warden Avenue. June 2015. Image by William Meijer.

An artist's rendering of a woman. She wears a golden shirt with blue and red decorations. On both sides of her face are blue and pink flowers. A pink flower is in her hair. Her hands are clasped in front of her.
Portrait of Ekua Walcott, 2022. Image by Autumn Beals.

Portrait of Ekua Walcott, 2022. Image by Autumn Beals.

Finding community

Andria Christine (Ekua) Walcott was born in Bridgetown, Barbados in 1962. As a teenager, Walcott immigrated to Canada and began volunteering with community support groups focussed on West Indian youth.

Walcott worked in the private sector in retail and administration before pursuing a degree in social work, with a focus on youth. She earned both a bachelor’s and master’s degree in social work from Ryerson University.

Working with youth

While completing her undergraduate degree in social work, Walcott began working with the Harriet Tubman Community Organization (HTCO) in North York. Opened in 1972, the HTCO is a non-profit youth centre dedicated to helping Black youth in Canada develop a sense of belonging and connection to their heritage and community.

After many years of working with the HTCO, Walcott became the Executive Director of the organization in 2006, a role she held for over eleven years.

The HTCO

Ekua Walcott was a deeply motivated community leader who made sure that the HTCO was responsive to the changing and complex needs of the Black community. Programming at the HTCO included heritage counselling for Black youth, ongoing support for employment or education, roundtable community events between teens and elders, leadership programs focused on civic engagement and more.

Ekua Walcott helped to launch HTCO’s annual Matanga Festival – taken from the Swahili word for mourning. As a community healing gathering, the festival supported health, wellbeing, and healing for the entire African diaspora. The event encouraged the exploration of a range of African healing modalities and worked to strengthen the social fabric of the community.

Building community

In her work with the HTCO, Walcott felt it was important that youth felt heard, received counselling for their trauma, and had a welcoming space in their community that celebrated their culture and heritage. She spoke often on the continued presence of anti-Black discrimination, both in Canada and throughout the world. Walcott also encouraged activism, advocacy, and self-realization for all in the Black community:  “I think you have to take your liberation. I think you have to define it for yourself and you have to go grab it wherever you can because it’s never really ever been given.”

On February 26, 2017, Ekua Walcott passed away after a brief illness. Following her death, the Matanga Festival was renamed Ekua Day in honour of her legacy.

The teacher and protector

Autumn Beals’ portrait of Ekua Walcott for BSAM Canada’s “Unveiling Heroes of the Block” project, entitled “The Teacher and Protector,” shows Walcott surrounded by vines, plants and flowers. Beals used nature to represent Walcott’s work as the Executive Director of the Harriet Tubman Community Organization, particularly how it fostered growth and development within the Black community.

Within the portrait, light blue delphiniums represent the youth she worked with; the bouvardia double flowers to represent the encouragement and enthusiasm she fostered through community engagement; and the pink hyacinth to represent her playful spirit. Beals also included African floral motifs to represent Walcott’s love and interest for African culture.