Toronto's first free school presents a glimpse into the journey of Irish immigrants in 1847.
Come to Enoch Turner Schoolhouse on May 12, 2011, at 6:30 p.m. for a screening of DEATH or CANADA, the Gemini Award-nominated docudrama produced by Canadian and Irish filmmakers.
Set in Ireland and Toronto, DEATH or CANADA tells the story of how Canada gave refuge to 38,000 Irish famine victims in the summer of 1847. The film uses groundbreaking research, interviews with historians and CGI effects to recreate the journey of a single family of Irish immigrants to Toronto.
A reception will be held at 6:30pm for friends and Enoch Turner Schoolhouse Foundation members - all are welcome! Students from the St. Paul's Toronto School of Irish Music will perform.
Tickets for this special event are $8 for adults, $5 for students, seniors and Enoch Turner Schoolhouse Foundation members. For more information or to buy tickets in advance, please visit Enoch Turner Schoolhouse or call 416-327-6997. Tickets will also be available at the door.
This event is supported by the Enoch Turner Schoolhouse Foundation, celebrating the roots of free education.
An Infectious Idea: 125 Years of Public Health in Toronto
The City of Toronto Archives in co-operation with Toronto Public Health and the Ontario Agency for Health Promotion present three upcoming panel discussions held in conjunction with the exhibit "An Infectious Idea: 125 Years of Public Health in Toronto".
The first will be held Tuesday April 7 at the City of Toronto Archives, starting at 7:00pm.
New film Death or Canada, which connects Toronto and Ireland, to air March 16
A few years back, Archaeological Services Inc. was retained to undertake an archaeological assessment of the Toronto International Film Festival Tower redevelopment site on the northwest corner of King and John Streets in downtown Toronto. Detailed archival research undertaken by Brian Narhi and David Robertson revealed that a portion of Toronto's first general hospital was preserved under the parking lot at that location. While the majority of the Festival property encompassed the formal front grounds of the hospital, the south wall of the hospital appears to extend across the north boundary of the property. Its alignment oriented to magnetic north stood out in contrast to the present-day street grid which is not on true north.